• “[...] Since a young age I have cultivated the love for the infinite natural and vegetal world, which I call “the microcosm”, in which they are dipped to me through the graphical and pictorial transposition. The infinites horizons that are caught a glimpse on the burlap, behind interlace thin of signs, create a virtual game of spaces. Of it it gushes therefore a relationship between closed and open, between solitudine and coralità; the overlapping lines that seemed like slabs today are nozzles, ready arrows, shrubs to open itself for a passage towards the admirable. An invitation to enter into the story told [...]” 

Gina Marziale in an interview of Maria Angela Nocenzi 

They have said of her paintings: 

• “I have zoomed in on hidden truths, on unthinkable places and microcosms, that explode with overbearingness on the burlap, showing the hidden and occult laboratory of the creation. A blooming into the life from the Emblematic invisibile [...] the painting of the veranda with those cold and veiled colors, with that impending and concrete anguish, that one mestizia driven in like a fog, all on this side the glass, while a window opens towards vegetal horizons and ethereal paths towards absoluteness and fulness intuited beyond the narrow mental borders. 
  The passage is open, the hope can become truth. However the spirit remains blocked on the threshold of a passage that is perhaps illicit to follow. “(Franco Campegiani)